TEC
Award
Nominee 2004
"The
best part
about the SMC
was its sound."
George Petersen
in MIX. More ...
SPL
Surround Monitor Controller
Model 2489
One-point stereo and 5.1 volume control, source and speaker management
Snapshot
Review in Mix Magazine (US)
By George Petersen
SPL Model 2380 Surround Monitor Controller
Sound Performance Labs has a long history of providing slick new products that do something completely different, such as its acclaimed Transient Designer. Now, SPL offers an elegant solution to the mundane, everyday issue of multichannel monitor management with the Model 2380 Surround Monitor Controller (SMC).
Housed in a single unit, the SMC is a multichannel volume control and source-switching selector for 5.1 and stereo listening environments, especially those where playback is from a DAW or console that lacks playback level control of 5.1 material.
The front panel is dominated by the large volume control and also has surround/stereo input selectors; in/out switches that double as Solo/Mute buttons for any of the individual 5.1 (and stereo) speakers; -20dB attenuator/dim switch, switches for summing either the L/R stereo fronts of Ls/Rs rears to a single mono playback; and a Mute-All switch that doubles as a panic button.
On the rear are the connections for the 5.1 speaker outputs (all balanced 1/4-inch TRS), the surround “A” and stereo “C” inputs (+4dB balanced on D25 subs in the 8-channel Tascam DA-88 format) and a “slave” D25 sub mirroring the “A” and “C” inputs to connect to a recording device. Input “B” has six RCA jacks for monitoring unbalanced sources, such as a reference DVD player, and input “D” is stereo unbalanced on RCA jacks. For ease of hookup, SPL screened the IDs for all of the connections both rightside-up and upside-down (for looking over the unit)— nice!
In the studio, the unit's maximum of 16 individual lines, two D25 sub snakes and IEC power cord can make for a messy setup when used as an on-console controller. Mine was much better in the classic “sit on meterbridge” and “set off to the side” modes, allowing for cleaner cable management.
But the best part about the SMC was its sound, or rather lack of sound. Instead of taking the easy, lo-fi route of using VCAs or DCAs to control volume, SPL opted for a discrete, six-level potentiometer with a minimalist approach to components throughout to maximize transparency. Frequency response extends to 100 kHz (-3 dB), the action of the pot was smooth and the essential switching of the individual speaker buses was glitchless. At $769 retail (MSRP USA), this could be the solution you need right now!
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