Choosing the Best Lifestyle Lounge Suite

 

Lumber is not the only material you need to keep in mind when designing lounge suites; other materials that should also be taken into consideration are aesthetics and durability. Durability is a very important factor to consider when designing a suite because if you are looking at installing a suite, you have to keep in mind the type of people who will be using the suite. Durability should not be a concern for you, since your house has several different styles and purposes, but it does matter if you are going to make use of the suite.

Durability will also depend on how much you expect from your lounge suite and how often you plan on using it. If you plan on making regular use of your lounge suite at a friend’s house or at a local club, then durability will not matter. However, if you are installing the suite as part of your own home, then you will need to take durability into consideration to ensure that the lounge is long-lasting and can be used for more than one purpose at a time.

Luggage Lounge Suites is great for carrying luggage around in. The main thing to remember about lounge suites is that they should be able to fit all of your luggage without any difficulty. You will need to consider the size of your suitcases as well because there are usually sizes of suitcases that fit into different types of suites. Make sure that the suits you choose are suited for your particular suite to ensure that the suitcases do not cause any problem with them.

Lifestyle is another important factor when looking at lounge suites. Most lounge suites include a sofa and chairs, as well as tables and cabinets in them. If you are looking for a lounge that will serve a purpose as well as give your guests a place to sit and relax, then you should try and buy a lounge that has more than just furniture and cabinets.

If you are going to be using the lounge for playing video games, then you might want to consider buying a lounge that comes with an entertainment center. This will allow you to save space for other important things like the television and gaming consoles. Entertainment centers can also come in handy if you intend to use the lounge as a bar area.

Another important thing to consider when buying lounge furniture is the way you want your furniture to match your furniture. Lounge suites are usually made up of several different furniture items including a sofa, chairs, a cabinet, a few tables and maybe some storage drawers. Choosing your furniture according to the type of furniture you have in your home will be helpful in giving your lounge into a unique and individual feel.

When you are making your decision on the type of furniture you want in your lounge, look at the different types of furniture that are available and see what they are made out of. Some lounge furniture is made from solid wood, while others are made from wrought iron or resin. If you prefer solid wood, then you might want to consider getting a lounge with an oak or mahogany furniture, while those with plastic furniture will appeal to you if you are looking for a lighter look.

As with any kind of purchase, it would help to do some research on the web or browse through magazines to get an idea of the types of lounges that are available so that you can get an idea of the different options you have. Most of the times, people who have made the wrong decision about the type of lounge they want have to return their money, since the first lounge they bought is not what they wanted. It would be better to look at different types of furniture so that you have an idea about the different options you have to choose from before making your final choice.

Sex Shop Opening – What To Consider When Opening A New Business

 

A sex store is a retail outlet that sells sexual products such as lingerie, condoms, clothing, pornography, vibrators and more. It also has a customer service representative who can answer any questions you may have about purchasing sex products. Here are some things to consider when choosing a sex shop.

To start with, ask your friends what shops they use, or if they know of any in the area and visit them to see how the store looks. There is no sense in paying for a great store only to find out it is full of shoddy products. Also ask what types of products they sell, which brands they carry, and what kinds of customer service you will receive.

Make sure that all products are of good quality. Ask to try out different items before buying. Most stores will have pictures of their items so you can check out the quality of each item before making a purchase. If a store does not have pictures of their products, make sure to look on the Internet to view images of the item.

Sex toys come in many shapes, sizes, styles, colors, materials, functions, and functions. You will need to decide what you want and need to buy. If you’re interested in buying only a few items, check online for sex toys, or talk to an associate at the store to find out what they recommend.

Another thing to think about is whether the sex shop carries the items you want. You can purchase everything you need at home. But many men and women feel uncomfortable buying things from stores. You will find that at many stores, you can buy anything from candles to condoms at their counter. This makes shopping in a store more comfortable.

When choosing your products, be sure to purchase them from reputable sellers. Make sure to check reviews about each store and make sure they are not a seller of fake or questionable products, and to make sure they have the proper licenses to sell the products you want. Many people choose to buy from these places because they are the most reliable and reputable.

The price of the items you buy at a sex shop should match the price you pay elsewhere. Some retailers will charge you more than others for similar products and may be willing to give you a lower price to get your business. Be sure to do your research and make sure you are getting the best deal for the amount you purchase.

Finally, do not go to all of the sex shops in your local area, because some places may not sell the types of products you need. Instead, try a few different stores. Take your time to browse through online stores and find a good store to shop at that you enjoy spending time with.

Remember that opening a new sex shop can be a challenge. It may take a little work, but when it’s done successfully, it will be well worth it!

Sex shops are great places to spend time with friends and family. It can be fun, exciting, and rewarding. Before you take the plunge into starting a new business, check online and find out the benefits of owning and operating a sex shop.

Before you open a sex shop, consider whether you can provide quality customer service. If you have the necessary equipment and have a quality product, you will benefit from this. A good customer service experience is what will make you successful over the long run.

When you’re ready to open a sex shop, take the time to research and find the right place to open your store. Shop around. Make sure it’s a quality business and one that has a wide selection of items to offer.

How to Use a Professional Pest Control Service Near Me

 

If you are tired of your home and garden is filled with pests, it may be time to consider a professional pest control service near me. Pests have plagued our homes and gardens for as long as we have been around.

Some common household pests are cockroaches, ants, termites, bed bugs, and mosquitoes. All these pests can become a real health hazard. They do not discriminate and can quickly ruin your furnishings and appliances.

If you are not too keen on employing a professional pest control service near me, there are other options available. In most cases, we are able to treat our home and garden pests on our own. If that is not an option for you then try some of the following tips. They have worked for others and can also help you in the long run.

Clean up – Before you go about attempting to rid yourself of pests, it is important that you make the necessary clean up of your home and garden. Pests love moisture so make sure your carpets, drapes, and furniture are dry before you go to sleep. Vacuum up as much of the dirt and debris from your home and garden as possible.

Using chemicals – If using chemicals does not seem like enough to get rid of your pest problem, there are other options available. You could opt for natural remedies or even get a pesticide spray. It is important to remember however that pesticide can be dangerous if you are allergic to them. These chemicals can be harmful to children and pets, so you should be sure to consult a qualified pest expert in your area before making any drastic changes to your home or garden.

Get rid of the pests – Now that you have gotten rid of the main problem and cleaned up your home and garden, the next step is to get rid of any of the other pests that might be there. A few common pests include roaches, ants, and silverfish. If you do not have a professional pest control service near me then you should try to clean up the areas where these insects have settled in. or use traps designed specifically to catch these insects.

The next tip to use when using a professional pest control service near me would be to make sure you remove any plants that have been infested with these pests. The reason these pests settle in certain areas is that they feed on the nutrients and moisture that can be found in plant material. If you are unable to completely exterminate the infestation you will find the plants growing back later on in the future.

Many people feel it is best to keep a natural pest control service near me but I am not sure this is always a good idea. If the infestation is bad, the only way to fully get rid of it is to exterminate it. This is much more difficult and expensive.

You should also keep in mind that if the pest control service that you choose is not very good then they might not come back in the future. In fact, many pest exterminators will work only once in their entire career. They don’t want to take chances so they prefer to hire others that are good at what they do.

Get rid of the pests – There are many ways to get rid of the pests in your home. Some people use pesticides but it may be dangerous to those living in the home or at the business. The first option that is usually recommended is to use traps. traps that trap the insects and kill them.

If you cannot afford to hire a pest exterminator then you may be able to find an alternative that is safer and an easier way to eliminate these pests. Natural solutions are always the safest, but some people believe these methods are not always effective. You can also purchase commercial sprays that are specifically formulated to kill these pests and they have been approved by the Environmental Protection Agency. They also tend to be less harmful to humans.

If you feel that using a professional pest control service near me is too far away then you may want to consider using natural solutions for eliminating the pests in your home and garden. Remember that prevention is the best way to keep pests out of your home and garden and getting rid of them permanently.

What You Should Know About SEO Services

 

In this article, we are going to discuss SEO services in Brisbane as well as some important things you should know about the SEO. For starters, SEO is very complicated and confusing, and that’s why many people find it difficult to understand it.

So, what is SEO? The SEO or Search Engine Optimization is the process of identifying search engine optimized websites and placing those in the top of the search results page for the term or phrase you choose. In other words, it is all about providing high-quality information that the user or visitor can read and comprehend.

Today, there are many big companies that provide SEO services Brisbane for both small and big businesses. The need for such companies have increased over the years as more people learn about the importance of good search engine optimization.

We now live in a world where we all rely on the internet to do our shopping, shop for supplies, have the information we need, get answers to our queries, etc. And if you own a business, it is crucial that you optimize your website, and the only way to do that is through SEO.

In other words, SEO is the technique that will help you reach your target audience and gain them as customers. A business with good, professional and qualified SEO can do well. Here are some of the things you should know about SEO services Brisbane.

First, an online business needs SEO services that are suitable for its purpose. Generally, it means optimizing your website by adding relevant keywords and keyword phrases that are used in the search engines and thereby attract potential customers. You need to create the content, place relevant links, be consistent and useful, and put in a lot of effort to attract customers. It is the most important step in your marketing strategy and it is not easy to accomplish.

Second, companies offering SEO services Brisbane offer many SEO services, which are categorized according to their required level of importance. This includes search engine optimization, link building, and blog optimization.

Third, in order to achieve the best result, you need to choose a company that can provide you with professional SEO services that are suitable for your website. Depending on your site content, you may need more specific search engine optimization, blog optimization, or link building.

Fourth, make sure that you hire a company that can do SEO in a timely manner, so that you can improve your website speed. Speed is an important factor that will ensure that the visitor or client can get instant information from your site.

Fifth, you also need to know that any business needs good PR to succeed. That’s why you need to choose a company that has the ability to keep your business in the public eye, and hence attract customers. They need to be able to handle and manage a PR team to handle public relations as well as an advertising budget.

Sixth, make sure that you hire a professional service provider that will give you the expertise and know-how to optimize your site, by hiring an SEO professional who has experience in the field. This is especially true if you plan to do website promotion in the online space or if you have your own web page.

Seventh, remember that when you have a web site, the best way to achieve success is to keep it updated and fresh so that it will constantly get better rankings in the search engines. Make sure that you hire a service provider that has experience in this area so that they can do some innovative strategies to make your web site rank higher.

Track One

List Price: $999.00
Our Price: $899.00
Savings: $100.00

The Track One recording channel features a mic/instrument preamp, de-esser, compressor/limiter, EQ with Air band and an output stage in a slim 1U housing. It is especially popular in the European broadcasting industry. 24/192 AD converter and I/O transformers are optional.MICROPHONE INPUT:
Frequency response: 10 Hz-200 kHz (200 kHz = -3 dB)
CMRR: 1 kHz = -80 dB; 10 kHz = -68 dB (at -20 dBu)
THD & N (A-weighted): 20 dB = -97,5dBu; 40 dB = -91,0dBu; 65 dB = -69,6 dBu
Dynamic response: 115 dB
INSTRUMENT INPUT:
Frequency response: 10 Hz-180 kHz (180 kHz = -3 dB)
THD & N (A-weighted): 7 dB = -98,4 dBu; 20 dB = -95,8 dBu; 42 dB = -77,2 dBu
Input impedance (Line): 12 kOhm / Instr.: 1 MOhm
Max. input level (Line): +28 dBu / Instr.: +12 dBu
Dynamic response: 115 dB
OUTPUTS: Max. output level XLR/jack: +20 dBu; Output impedance: 50 Ohm
POWER SUPPLY: Toroidal transformer: 15 VA; Fuses: 315 mA (230 V/50 Hz) and 630 mA (115 V/60 Hz)
DIMENSIONS: Standard EIA 19 inch/1U housing: 482 x 44 x 210 mm; Weight: 3.1 kg

Features
Mic/Hi-Z preamp
De-Esser
Compressor/Limiter
Semi-parametric EQ
Air band EQ
Output control with metering
Easy to use
Fulfills highest demands in sound quality and reliability

Frontliner

List Price: $2,449.00
Our Price: $2,199.00
Savings: $250.00

Our flagship recording channel features separate Class-A mic & instrument preamps with two selectable tube gains, de-esser, twin-core compressor/limiter, EQ with Air band and tube saturation. Thanks to it’s individual analog I/Os, all these powerful, hi-end analog processors can be inserted during mixing. 24/192 AD converter and I/O transformers are optional.

Maximum input level:
Microphone input @ 13dB gain: +9dBu
Line input: +22dBu
Instrument input: +11,5dBu
De-Esser input: +21dBu
Compressor input: +21dBu
EQ-/Tube Saturation input: +21dBu
Maximum output level: 21,5dBu
Microphone input: +13dB to +68dB
Line input: -20dB to +10dB
Instrument input: +6dB to +43dB
Frequency ranges (-3dB):
Channel strip: 10Hz to 50kHz
Microphone preamplifier: ‹10Hz to 50kHz
Line preamplifier: ‹10Hz to 50kHz
Instrument preamplifier: ‹10Hz to 50kHz
De-Esser: ‹10Hz to 140kHz
Compressor: ‹10Hz to 180kHz
Equalizer/Tube Saturation: ‹10Hz to 60kHz
Common mode rejection (@ 1kHz, 0dBu input level and unity gain):
Microphone preamplifier: ›80dB
Line preamplifier: ›75dB
Instrument preamplifier: ›75dB
De-Esser: ›75dB
Compressor: ›75dB
Equalizer/Tube Saturation line: ›75dB
Total harmonic distortion (in %, @ 1kHz, 0dBu input level and unity gain):
Channel strip: 0,03
Microphone preamplifier: 0,03
Line preamplifier: 0,03
Instrument preamplifier: 0,03
De-Esser: 0,002
Compressor: 0,007
Equalizer/Tube Saturation Line: 0,01
Signal to noise ratio (A-weighted):
Microphone preamplifier (VU=30dB): -91,5dB
Line preamplifier: -94,7dB
Instrument preamplifier: -95,5dB
De-Esser: -97dB
Compressor: -97dB
Equalizer/Tube Saturation Line: -91dB
Dynamic range (unweighted):
Channel strip: 110dB (microphone input › main outputs, @ 30dB)
Channel strip: 112dB (line input › main outputs)
Channel strip: 112dB (instrument input › main outputs)
Microphone preamplifier (@ 30dB): 110dB
Line preamplifier: 114dB
Instrument preamplifier: 105dB
De-Esser: 115dB
Compressor: 115dB
Equalizer/Tube Saturation Line: 112dB
E.I.N. microphone preamplifier: -127dBu (@ 68dB gain, Rs=150Ohms, 20-22kHz)
Power supply: Two toroidal transformers; Audio transformer: 20VA; Transformer other currents: 15VA
Fuses: 230V AC, 50Hz: 315mA/120V AC, 60Hz: 630mA
Voltage selector: 115V/230V
Power consumption: 29W
Housing (W x H x D): 482 x 88 x 261mm (Depth with controls and sockets)
Weight: 5,7kg/ca. 12,57 lbs (w/o converter & I/O transformers)
Note: 0dBu = 0,775V. Specifications are subject to change without notice.

The hybrid preamp with discrete transistor stage and separate tube stage combines high performance and neutrality with the option for sound coloration by enhancing the harmonic content with the switchable tube drive.
The unique one-knob de-esser employs a phase cancelling technique to reduce sibilants.
With three bands, the EQ section covers the complete frequency spectrum efficiently.
The tube saturation stage gives that dense, energetic, warm and fat tube sound that we all love.
The compressor offers all classic parameters and a controllable automation of attack and release which adjusts the setting of time constants to the input signal – pretty much like a cruise control.

Channel One

List Price: $1,669.00
Our Price: $1,499.00
Savings: $170.00

The Channel One is a fully equipped recording channel featuring separate mic & instrument preamps with tube stage, de-esser, compressor/limiter, semi-parametric dual-band EQ, Air EQ, FET distortion stage, headphone output and output gain with mute switch. 24/192 AD converter and I/O transformers are optional.

Features
The Channel One comes with all tools on board for recording voices, instruments with the highest sound quality:
Transistor/tube mic preamplifier
Transistor/tube Indstrument (Hi-Z) preamplifier
De-Esser
Compressor/limiter with noise gate
dual band semi parametric EQ
Air Band EQ
FET distortion for a rougher tone
Headphone monitoring output
Output Gain
Mute switch

Microphone Input:
Frequency response 10 Hz-100 kHz (100 kHz = -3 dB)
Common mode rejection (@ -20 dBu) 1 kHz: -80 dB / 10 kHz: -78 dB
THD & N Gain (A-weighted): 20 dB = -97.1 dBu; 40 dB = -91.1 dBu; 65 dB = -69.4 dBu
Dynamic range 118 dB
Line/Instrument Input:
Frequency response 10 Hz-180 kHz (100 kHz = -3 dB)
Common mode rejection (@ 0 dBu): 1 kHz = -80 dB; 10 kHz = -78 dB; Line input only
Total harmonic distortion Gain (A-weighted): 5 dB = -99.4 dBu; 20 dB = -97.2 dBu; 42 dB = -79 dBu
Input impedance Line: 20 kOhm / Instr. = 1 MOhm
Max. input level Line: +22 dBu / Instr. = +14 dBu
Dynamic range 119 dB
Output Data: Max. output level XLR/jack: +20 dBu; Output impedance: 50 Ohm
Gain Headphone Amplifier (mic input and 0dBu output level):
-20dBu @ 25%; -10dBu @ 40%; -5dBu @ 55%; 0dBu @ 70%; +5dBu @ 75%; +10dBu @ 90%; +14dBu @ 100%
Power Supply: Toroidal transformer 20 VA; Fuses 315 mA (230 V/50 Hz); 630 mA (115 V / 60 Hz)
Dimensions: Standard EIA 19”/1HE, 482 x 88 x 210 mm; Weight 4.15 kg

Sound On Sound (UK), Paul White
“Until you’ve tried something that works this well, the words ‘smooth’ and ‘detailed’ won’t have nearly as much meaning as after playing with the Channel One. If you’re wondering where that elusive ‘produced’ vocal sound is hiding, look no further – it’s in here!”

Crimson

List Price: $769.00
Our Price: $699.00
Savings: $70.00

Product Code: 1250

Crimson combines a USB interface with high-quality preamps and a separate, fully-featured monitor controller. You can play and play back, record and convert, control and listen with one single device. So all you essentially need for a truly professional recording setup is the Crimson and a DAW.

Features
Max. six recording and six playback channels
10 source connections, 20 monitoring channels
34V operational voltage for pro levels up to +22 dBu
Two discrete mic preamplifiers
Two instrument preamplifiers (Hi-Z, +22 dBu)
Two separate headphones amps
Connect and control two stereo speaker sets
Monitor mix from recording and DAW return paths
Individual artist monitoring signal, with talkback
–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––
Hi-Speed USB 2.0 (480MBit/s)
24 bit audio processing
Sample rates: 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz or 192kHz
Fixed master clock for lowest jitter
True 1:1 audio, no sample rate conversion or clock recovery
SPDIF and MIDI I/Os
–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––
Windows XP/Vista/7/8 (32 and 64 bit)
Mac OS X 10.4 or higher
iPad/iPhone class compliant
Multi-application mode, simultaneous ASIO and/or WDM playback
Low-latency Mac OS X (ASIO-like) HAL plug-in driver
Low-latency Windows ASIO and WDM driver
Driver feedback synchronization to hardware clock
ASIO control panel for Windows and Mac
USB Audio Class 2.0 compliance (asynchronous mode)
–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––
Made in Germany

Input Sockets
Mic Inputs 1 -2: XLR
Line Inputs 1–4: 6,3mm TRS
Instrument Inputs 3–4: 6,3mm TRS
Source 1 Input: 6,3mm TRS
Source 2 Input: RCA
Source 3 Input: 3,5mm TRS
Midi Input: DIN (5 pins)
SPDIF Input: RCA

Output Sockets
Speaker A Output: XLR
Speaker B Output: 6,3mm TRS
Midi Output: DIN (5 pins)
SPDIF Output: RCA
Headphone Outputs: 6,3mm TRS

Input Impedances
Microphone Input: 10 kOhm
Line Inputs: 10kOhm unbalanced, 20kOhm balanced
Instrument Inputs: 1,1 MOhm
Source 1 Input: 10kOhm unbalanced, 20kOhm balanced
Source 2 Input: 10kOhm
Source 3 Input: 10kOhm
SPDIF Input: 75 Ohm

Output Impedances
Speaker A Output: 75 Ohm unbalanced, 150 Ohm balanced
Speaker B Output: 75 Ohm unbalanced, 150 Ohm balanced
Headphone Outputs: 33 Ohm

Maximum Input Levels
Mic Inputs: +14,5 dBu (Gain fully left)
Line Inputs: +22,5 dBu
Instrument Inputs: +24,0 dBu (Gain fully left)
Source 1 Input: +22,5 dBu
Source 2 Input: +22,5 dBu
Source 3 Input: +22,5 dBu

Maximum Output Levels
Speaker A Output: +22,5 dBu
Speaker B Output: +22,5 dBu

Mic Preamplifier (balanced, XLR)
Gain Control: +8dB – +60dB
Frequency Response: 10Hz – >200kHz
Noise (unweighted, 30dB gain, input termination 150 Ohm): -90 dBu
Equivalent Input Noise: -128 dBu
Common Mode Rejection Ratio: < -70 dBu
THD+N Ratio@1kHz (30dB gain, input termination 150 Ohm): 0,003 %
High Pass Filter: fg = 80Hz, 6dB/Oct.
Phantom Power: 48Volt

Instrument Input (unbalanced, 6,3mm TRS)
Gain Control: -6dB – +31dB
Frequency Response: 10Hz – >200kHz
Noise (unweighted, unity gain, input termination 100 kOhm): -85 dBu
THD+N Ratio@1kHz (unity gain, input termination 100 kOhm): 0,005 %

Line Input (balanced, 6,3mm TRS)
Frequency Response: 10Hz – >200kHz
Noise (unweighted, unity gain, input termination 600 Ohm): -95 dBu
Common Mode Rejection ratio: < -60 dBu
THD+N Ratio@1kHz (unity gain, input termination 600 Ohm): 0,002 %

Source 1 Input (balanced, 6,3mm TRS)
Frequency Response: 10Hz – >200kHz
Noise (unweighted, unity gain, input termination 600 Ohm): -95 dBu
Common Mode Rejection ratio: < -60 dBu
THD+N Ratio@1kHz (unity gain, input termination 600 Ohm): 0,002%

Source 2 Input (unbalanced, RCA)
Frequency Response: 10Hz – >200kHz
Noise (unweighted, unity gain, input termination 600 Ohm): -90 dBu
Noise (unweighted, -10dBV, input termination 600 Ohm): -85 dBu
THD+N Ratio@1kHz (unity gain, input termination 600 Ohm): 0,003 %
THD+N Ratio@1kHz (-10dBV, input termination 600 Ohm): 0,003 %

Source 3 Input (unbalanced, 3,5mm TRS)
Frequency Response: 10Hz – >200kHz
Noise (unweighted, unity gain, input termination 600 Ohm): -88 dBu
Noise (unweighted, +15dB gain, input termination 600 Ohm): -76 dBu
THD+N Ratio@1kHz (unity gain, input termination 600 Ohm): 0,003 %
THD+N Ratio@1kHz (+15dB gain, input termination 600 Ohm): 0,005 %

Headphone Outputs (stereo, 6,3mm TRS)
Frequency Response: 10Hz – >200kHz
Power@0dBu: 47 Ohm load: 13 mW/300 Ohm load: 1,7 mW/600 Ohm load: 1,0 mW
Power max: 47 Ohm load: 670 mW/300 Ohm load: 265 mW/600 Ohm load: 150 mW
THD+N Ratio@1kHz (Power@0dBu): 47 Ohm: 0,0026 %/300 Ohm: 0,002 %/600 Ohm: 0,002 %

AD Conversion
Sample Rates: 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz
Dynamic range converter chip (manufacturer’s specification): 115 dB
Dynamic range measured via Line Input > AD Converter > DAW > SPDIF Output:
44.1kHz: 110dB, 48kHz: 110dB, 96kHz: 107dB (unweighted)
THD+N ratio @ 1kHz (-1dBFS): 44.1kHz: 0,01 %, 48kHz: 0,01 %, 96kHz: 0,01 %
0dBFS = +15 dBu

DA Conversion
Dynamic range converter chip (manufacturer’s specification): 115 dB
Dynamic range measured via SPDIF Input > DAW > DA Converter > Speaker Output:
44,1kHz: 106dB, 48kHz: 106dB, 96kHz: 104dB (unweighted)
THD+N ratio @ 1kHz (-1dBFS): 44,1kHz: 0,006 %, 48kHz: 0,006 %, 96kHz: 0,007 %

Power Supply
External Power Supply, Input 100–240V AC/50–60 Hz; Output 12V DC/1,5A
Internal Power Supplies: Audio: +/-17V, Digital: +5V and +3,3V
Power Consumption: 16.8 watts

Dimensions and Weight
Housing (BxT=bottom panel w/o sockets, H w/o controls)
H x W x D: 60 x 330 x 207 mm
H x W x D: 2.36 x 13 x 8.15 inch
Weight: 2,7 kg / 5.95 lbs

Notes: 0dBu = 0,775 V. Specifications are subject to change without notice.

Product Overview
Download the Product Overview PDF.

FAQ
For frequently asked questions please go to FAQ SPL Crimson

Driver Download
Download Mac driver (DMG file, 3.3MB).
Download Win driver (ZIP file, 1.7MB).

Manual
Download the Manual PDF.

With or without DAW
Crimson is designed to operate with your Digital Audio Workstation. But you can also do a lot with it as a stand-alone device: plug in an instrument and play. Connect a microphone and sing along. Mix your own monitor signal with playback or guide tracks from any source – including your smartphone. What you are playing is not bad? Turn on the DAW and record it.

A new concept with phenomenal value
At SPL we design audio equipment in all price ranges – except cheap gear. Therefore each SPL unit provides professional quality. The Crimson leaps forward and sets a new sound quality benchmark in its price range: We have re-designed proven circuitries and created a new, fully integrated design. Together with new production methods we are able to break through usual price limits. So with the Crimson interface and controller you have a boutique standard recording and monitoring device at a fraction of the price we used to know from traditional engineering and manufacturing.

Recording Channels
2 microphone inputs (XLR)
2 Instrument inputs (TRS)
4 balanced line inputs (TRS)
2 SPDIF
Note: any 4 analog channels can be recorded simultaneously. Including SPDIF, six channels can be recorded simultaneously.

Playback Channels
4 channels via USB (DAW 1-4)

Analog Inputs (Sources)
2 TRS line input channels (balanced)
2 RCA line input channels (rear, unbalanced)
1 mini jack stereo input (unbalanced)

Digital Inputs
1 USB
 2.0 highspeed
1 SPDIF stereo input (coax)
1 MIDI

Analog Outputs
Speakers A: 2 XLR sockets (L/R, balanced)
Speakers B: 2 TRS sockets (L/R, balanced, w. trimming)
2 headphone sockets (TRS)

Digital Outputs
1 USB
 2.0 highspeed
1 SPDIF stereo output (coax)
1 MIDI

 

Phonitor 2 – Black Edition

List Price: $2,110.00
Our Price: $1,899.00
Savings: $211.00

Product Code: 1280

We are uber-happy to introduce the successor of our legendary Phonitor headphone preamp. We have kept all proven features while incorporating some major improvements — as such, the new Phonitor can be used as the ultimate monitor controller and preamp for three different sources. Likewise, we revised the 120-Volt technology in order for it to perform better, which resulted in our measurement gear being outclassed.

Features
NEW in Phonitor 2
Preamplifier/Monitor Controller functionality
Suited for all headphones and impedances
Volume remotely controllable

Special Features
The Reference ─ the Phonitor2 sets new technical and sound standards.
Dual-channel 120 Volt amp for headphones and active loudspeakers or power amps
For dynamic and balanced headphones
Optimallyy suited for low-impedance headphones starting from 10 Ohm (40 Ohm for balanced headphones)
Remote volume control with motor potentiometer
High-resolution laterality correction compensates right/left hearing differences
Switchable level adjustment (consumer to professional level, 1:1, +6dB, +12 dB)

Applications
Stereo preamplification and headphone amplification for three sources
High-quality music playback at home
Central monitoring unit with phase reverse L/R , solo L/R, mono switch functions
Laterality control to compensate hearing imbalances
Headphone amplifier for all headphone systems and impedances (from 10Ω)
Loudspeaker simulation with headphones
Monitoring alternative in studios and mobile units
Adjustment of headphone playback to match familiar monitor speakers
Mobile reproduction of usual monitoring conditions

Inputs:
XLR connectors, electronically balanced
Impedance: bal. ca. 20 kΩ, unbal. ca. 10 kΩ
Max. Input Level: +32,5 dBu
Outputs:
Monitor/Line Outputs: XLR connectors, electronically balanced
Frequency Range: 4 Hz to 480 kHz ( -3 dB)
CMR: -82 dBu (at 1 kHz, 0dBu input level and unity gain)
Crosstalk at 1 kHz: -106 dB
THD&N; at 1 kHz: 0,00085 % (at 0dBu input level and unity gain)
Noise: Unweighted -101,87 dB; A-weighted -104,76 dB; CCIR: -96,1 dB
Dynamic Range: 134,37 dB
Headphone Output:
6.3-mm TRS connector
Pin wiring: Tip = Left, Ring = Right, Sleeve = GND
Impedance: 0,18 Ω
Attenuation Factor: 180 @ 40Ohm
Frequency Range: 4 Hz to 480 kHz ( -3 dB)
CMR: -106 dBu (at 1 kHz, 0dBu input level and unity gain)
Crosstalk at 1 kHz: -106 dB
THD&N; at 1 kHz: 0,00091 % (at 0dBu input level and unity gain)
Noise: Unweighted -101,12 dBu; A-weighted - 103,98 dBu; CCIR -95,02 dBuDynamic Range: 133,62 dB
Power Amplifier:
Max. Output Power:
65m W (+20 dBm) at 1 kHz and 600 Ω connected impedance
560 mW (+20 dBm) at 1 kHz and 40 Ω connected impedance
Power Supply:
Voltages: 230 V AC, 50 Hz / 120 V AC, 60 Hz
Power Consumption: max 23,7 VA
Fuses: 100-120 V AC: T 1 A / 200-240 V AC: T 630 mA
Measurement & Weight:
Height x Width x Depth: 99 x 277 x 305 mm / 3.9 x 10.9 x 12 in
Weight: 4,3 kg / 9.5 lbs
0 dBu = 0,775 V. Specifications subject to change without notice.

The New Heart Of Music Playback: Phonitor2
Many Phonitor2 users told us they wished they could also use the unmatched signal quality that the Phonitor2 provides to feed their speakers. And so began to take form the idea of making its successor a full-fledged stereo preamp that could become the heart of modern professional and home systems alike where headphones have a preeminent importance.

Remote Control
The volume can be controlled remotely. Naturally, the audio signal is controlled via a high-quality motor potentiometer in that case. To control it you can use any IR remote control: the remote must not learn the Phonitor2, but rather the Phonitor2 learns to understand your remote’s signal.

Home Listening
Home users can enjoy a central control unit for modern music playback of stereo signals that supports all known formats ─ and that with an unheard-of price/performance ratio. The Phonitor2 matches perfectly modern playback concepts: minimalist chains with active speakers and almost any pair of headphones can be centrally fed via three different paths, thanks to an integrated high-quality amplifying and signal-managing concept.

Sound Engineers
Besides being a reference-quality Monitor Controller, the Phonitor2, together with a carefully matched pair of headphones, offers professional users an excellent monitoring alternative to their main speakers. The audio quality and features of the Phonitor2 provide the best conditions to work effectively without hearing fatigue.

120 Volt Technology
The foundations of this high-end-development is our 120 Volt reference technology: specially developed and manufactured op-amps that run on an operating voltage of 120 volts, which corresponds to approximately twice that of most modern analog audio semiconductor technologies. The musical result is not to be mistaken: Regardless of the monitoring means, regardless of how loud you monitor – the Phonitor2 always remains a distant, impartial factor unaffected when used to capacity and beyond being overloaded. All frequencies are reproduced in balance, basses are stable and tight, mids are clear and differentiated and highs remain transparent and soft. Particularly striking is the fact that you can easily listen to every detail. Hearing fatigue makes it usually harder to carefully listen to and understand complex signals over a long period of time. The Phonitor 2 reverses this situation turning it into a pleasant listening experience that leaves you longing for more.

 

Phonitor 2 – Silver Edition

List Price: $2,110.00
Our Price: $1,899.00
Savings: $211.00

Product Code: 1281

 

We are uber-happy to introduce the successor of our legendary Phonitor headphone preamp. We have kept all proven features while incorporating some major improvements — as such, the new Phonitor can be used as the ultimate monitor controller and preamp for three different sources. Likewise, we revised the 120-Volt technology in order for it to perform better, which resulted in our measurement gear being outclassed.

Features
NEW in Phonitor 2
Preamplifier/Monitor Controller functionality
Suited for all headphones and impedances
Volume remotely controllable

Special Features
The Reference ─ the Phonitor2 sets new technical and sound standards.
Dual-channel 120 Volt amp for headphones and active loudspeakers or power amps
For dynamic and balanced headphones
Optimallyy suited for low-impedance headphones starting from 10 Ohm (40 Ohm for balanced headphones)
Remote volume control with motor potentiometer
High-resolution laterality correction compensates right/left hearing differences
Switchable level adjustment (consumer to professional level, 1:1, +6dB, +12 dB)

Applications
Stereo preamplification and headphone amplification for three sources
High-quality music playback at home
Central monitoring unit with phase reverse L/R , solo L/R, mono switch functions
Laterality control to compensate hearing imbalances
Headphone amplifier for all headphone systems and impedances (from 10Ω)
Loudspeaker simulation with headphones
Monitoring alternative in studios and mobile units
Adjustment of headphone playback to match familiar monitor speakers
Mobile reproduction of usual monitoring conditions

 

Inputs:
XLR connectors, electronically balanced
Impedance: bal. ca. 20 kΩ, unbal. ca. 10 kΩ
Max. Input Level: +32,5 dBu
Outputs:
Monitor/Line Outputs: XLR connectors, electronically balanced
Frequency Range: 4 Hz to 480 kHz ( -3 dB)
CMR: -82 dBu (at 1 kHz, 0dBu input level and unity gain)
Crosstalk at 1 kHz: -106 dB
THD&N; at 1 kHz: 0,00085 % (at 0dBu input level and unity gain)
Noise: Unweighted -101,87 dB; A-weighted -104,76 dB; CCIR: -96,1 dB
Dynamic Range: 134,37 dB
Headphone Output:
6.3-mm TRS connector
Pin wiring: Tip = Left, Ring = Right, Sleeve = GND
Impedance: 0,18 Ω
Attenuation Factor: 180 @ 40Ohm
Frequency Range: 4 Hz to 480 kHz ( -3 dB)
CMR: -106 dBu (at 1 kHz, 0dBu input level and unity gain)
Crosstalk at 1 kHz: -106 dB
THD&N; at 1 kHz: 0,00091 % (at 0dBu input level and unity gain)
Noise: Unweighted -101,12 dBu; A-weighted - 103,98 dBu; CCIR -95,02 dBuDynamic Range: 133,62 dB
Power Amplifier:
Max. Output Power:
65m W (+20 dBm) at 1 kHz and 600 Ω connected impedance
560 mW (+20 dBm) at 1 kHz and 40 Ω connected impedance
Power Supply:
Voltages: 230 V AC, 50 Hz / 120 V AC, 60 Hz
Power Consumption: max 23,7 VA
Fuses: 100-120 V AC: T 1 A / 200-240 V AC: T 630 mA
Measurement & Weight:
Height x Width x Depth: 99 x 277 x 305 mm / 3.9 x 10.9 x 12 in
Weight: 4,3 kg / 9.5 lbs
0 dBu = 0,775 V. Specifications subject to change without notice.

The New Heart Of Music Playback: Phonitor2
Many Phonitor2 users told us they wished they could also use the unmatched signal quality that the Phonitor2 provides to feed their speakers. And so began to take form the idea of making its successor a full-fledged stereo preamp that could become the heart of modern professional and home systems alike where headphones have a preeminent importance.

Remote Control
The volume can be controlled remotely. Naturally, the audio signal is controlled via a high-quality motor potentiometer in that case. To control it you can use any IR remote control: the remote must not learn the Phonitor2, but rather the Phonitor2 learns to understand your remote’s signal.

Home Listening
Home users can enjoy a central control unit for modern music playback of stereo signals that supports all known formats ─ and that with an unheard-of price/performance ratio. The Phonitor2 matches perfectly modern playback concepts: minimalist chains with active speakers and almost any pair of headphones can be centrally fed via three different paths, thanks to an integrated high-quality amplifying and signal-managing concept.

Sound Engineers
Besides being a reference-quality Monitor Controller, the Phonitor2, together with a carefully matched pair of headphones, offers professional users an excellent monitoring alternative to their main speakers. The audio quality and features of the Phonitor2 provide the best conditions to work effectively without hearing fatigue.

120 Volt Technology
The foundations of this high-end-development is our 120 Volt reference technology: specially developed and manufactured op-amps that run on an operating voltage of 120 volts, which corresponds to approximately twice that of most modern analog audio semiconductor technologies. The musical result is not to be mistaken: Regardless of the monitoring means, regardless of how loud you monitor – the Phonitor2 always remains a distant, impartial factor unaffected when used to capacity and beyond being overloaded. All frequencies are reproduced in balance, basses are stable and tight, mids are clear and differentiated and highs remain transparent and soft. Particularly striking is the fact that you can easily listen to every detail. Hearing fatigue makes it usually harder to carefully listen to and understand complex signals over a long period of time. The Phonitor 2 reverses this situation turning it into a pleasant listening experience that leaves you longing for more.