Users
What
makes a surround mix attractive? Does the result of a surround production
compared with a stereo production provide more pleasure and does it justify
the expenditure? If so, is it possible to realise such a production with
common production procedures? Is the question about surround or stereo
perhaps a question of taste?
To this and some more questions about surround application in music productions,
the music producer Tom Ammermann gives answers and provides an insight
into his work and visions.
Contents
- 35 minutes 'Making Of' from the production and 55 minutes interview with Tom Ammermann and Michael Abbing, in which they give an insight into experiences and visions about surround, production and products.
- Video sound, recorded with surround microphones which were fixed on the camera
- Music mixes in surround, in which nearly all instruments were recorded discrete and with the 5 surround microphone arrays in one take using the over dub procedure
- Comparison of microphone arrays at the same room position (piano, drums, vocal, strings): SPL Atmos 5.1, OCT-Surround, Soundfield, Neumann WNS 100, Fukudatree with Sennheiser MKH-800. All of them were recorded in one take with identical hard- and software in 24Bit/48Khz.
 Tom Ammermann 'computing' |
 Capture the Nature |
 Back Vocals: 'Room Integrated' |
 Drums: 'Total Spatial' |
Details:
DVD-9 Video / PAL
Language: Deutsch/English (Voice Over)
Audio: Dolby Digital 5.1-2.0, DTS 5.1-2.0, headphone-surround, PCM 2.0
in different combinations
Main: Making Of, Music Videos, Interview
Extras: Urban Atmos, Microphone Comparisons, Photo Gallery in 2.0-5.1
Surround
Producer: MO’VISION Music Production/Tom Ammermann
Label: DVDIVISION, www.dvdivision.com
EAN: 42 6006282 001 5
Order code: DMU 001 04
